Finding Emily
Set Decoration
When a lovesick musician (Spike Fearn; Alien Romulus) is given the wrong number for his dream girl, he teams up with a driven psychology student (Angourie Rice; Spider Man, Mean Girls, Mare of East-town) to find her. Together, they spark a hilarious, campus-wide frenzy that tests their own hearts and ambitions along the way.
Directed by Alicia MacDonald (Too Much), produced by Olivier Kaempfer & Cecilia Frugiuele of the amazing Parkville Pictures (Polite Society, Lollipop, Everybody Wants to Fuck Me) along with the creators of many, many rom-com legends, Working Title Films. Production designed by Bobbie Cousins (Hoard) and Cinematography by Rachel Clark (Queenie, I Am, Dreamlands). Written by Rachel Hirons with Alicia MacDonald.
Party House
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Owen’s House
The home of our leading lad, Owen (plus his big brother and girlfriend), this set had me in tears too often. The boys are in the process of potentially selling their house and moving on, following the death of their mum. So, sourcing all the details to show the traces of her and their still strong family bond cut me far more keenly, being a single mum myself.
We wanted to create a realistic interior filled with heart and soul that still bore the traces of her, so I gave this backstreet Salford terrace a bohemian slant with hints towards her 90s youth spent gallivanting in the Hacienda, filled with warm orange-y pine furniture with brushed chrome accents, mixed in with her charity shop vintage finds and an array of half-completed creative projects that the boys’ still hadn’t had the heart to get rid of.
As often happens, my own son Arlo made it into the set. His drawings and small hand-hewn gifts are often dressed in to my work, along with family photos. He can be spotted throughout the house in photos, several of his drawings, a heart coloured in pastels and an age’s old Mother's Day card.
I took direction from the existing frost glazed panel in one of the internal doors and incorporated the square motif throughout the living room dressing, with the Prop Gods being incredibly kind and throwing several perfect pieces of furniture my way.
BACKGROUND
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Owen’s Bedroom
Owen's inspirations were easy; this low-key mellow Mancunian lad's similarly lo-fi vibe had hints of 'Tokyo Style' with a make-do-and-mend spirit and lots of 90s honey pine and white melamine 'shit' furniture.
I always like to start a set by buying a character a hero chair to create the tone. Owen had two; one not shown was a 90s Swedish designer wood and fabric low-slung number that was a swine to sit in and soon got relegated to the prop-store shelves in favour of this fabulous green velvety number that I could easily imagine him sat on playing his guitar.
As with the rest of his home, I added in loads of hints of iconic 90s IKEA and Habitat - brushed chrome accessories sourced on ebay (the hands motif wall display panel above his fire surround was a fave) and, perhaps my pièce de résistance, the vintage clock with spaces for photos on each hour that I sourced from one of my favourite Etsy dealers… in Belgium and we filled with candids of the boys and their mum.
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Emily’s Flat
This was another swoonworthy location sourced by our incredible Locations Team of Dreams - this time based smack bang in the centre of Manchester at the iconic Chorlton Mill. Filled with exposed brick and pillars, it could not have been any more Mancunian and had the loveliest owner who made it a breeze to work there. I was aiming for iconic with this one and was channelling every John Hughes’ bedroom there ever was (plus a dash of Trax from Pretty in Pink).
Emily's flat from the very off was always going to be contemporary bold colours and this strongly modern palette was on my mind from the start, as can be seen from the accumulated palette of all the antique and vintage textiles, found objects & furniture that I'd been acquiring on ebay and vinted for weeks. I added some hand-made pieces sourced via several artist-makers I'd unearthed on Etsy, along with a dash of high street swag to keep it contemporary.
To add even more iconic elements, my multi-talented team helped create some bespoke textiles; including several embroidery pieces, including a delightful dancing almost-Josephine Baker) and a pair of applique curtains made up by my ever patient drapeslady. Emily's bedroom windows had about four layers of textile going on - antique lace cafe curtains + a vintage embroidered tablecloth, plus some striped curtains AND a voile. Layers upon layers of textiles, personal artefacts and life debris were dressed in over about a day and a half before the shoot crew were due to descend.
I also asked our lovely Graphics team to create loads of bespoke artwork and photography referencing various famous scenes from iconic films; including an Agnes Varda & the iconic 'Daisies', aiming to give these girls a little more cultural cachet.
Slightly swanky for a pair of students, but this was a Working Title world so I do feel some creative license is allowed.!
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Other Places